Showing posts with label Ghosts. Show all posts
Showing posts with label Ghosts. Show all posts

Monday, April 20, 2020

The Fog Opening


An excellent opening to an excellent film.

Can't think of no better way to come back from a long hiatus... than to cheat and adjust the date to line up with the ghost story from John Carpenter's classic, The Fog.

Sunday, August 17, 2014

Cryptic Curiosities: The Red Ghost


For about a decade back in the late 1800's, settlers in American Southwest had reported numerous sightings of a phantom creature they called the "Red Ghost":  A spectral beast of burden bearing a ghastly rider upon its back.

In 1893 a farmer in Arizona spotted a large animal on the horizon, at the edge of his property.  Suspecting the beast to be a predator of some kind, he shot and killed it.  He was shocked to discover that the dead creature was a camel.  The animal wore a saddle with mysterious rope binding attached to it.  The farmer had found the Red Ghost!

Oddly enough, this and other strange tales of the Red Ghost apparently owe more to fact than fiction.  

In 1843 the U.S. Army Quartermaster was faced with the challenge of providing supplies and mail to remote western outputs.  Unfortunately, pack mules and horses were not up to the task with the heat and harsh terrain of the desert proving to be too much for them.  Eventually, a unique solution was proposed:  Camels!


Thus, the U.S. Camel Corp was born. The camels were ideally suited for the task being already acclimated to the conditions of the desert and were able to carry riders and supplies with little difficulty.  The program was successful and operational until around 1866 when the Transcontinental Railroad rendered it obsolete.  The camels used in the corps ended up being sold to circuses and private owners, but some managed to escape into the wilderness, which might explain the presence of a camel in the Arizona desert, but what of the Red Ghost's legendary rider?


This is where some speculation comes in:  The story goes that a young solider within in the corps who was fearful of camels slipped up somewhere along the way, and landed in some trouble.  In a cruel form of discipline, the man was bound to a camel to teach him a lesson.  Unfortunately, before he could be set free, the camel escaped into the desert, taking the man along for the ride.  It is supposed that the unwilling passenger, unable to free himself, died on the camel's back. If this is true, the rider could conceivably had rode on the animal's back for years, slowly decomposing until the point it fell off.

Tuesday, August 12, 2014

The Brutal Life (and Afterlife) of the Bucaneer Blackbeard


Blackbeard (real name Edward Teach or Edward Thatch) is probably the most infamous and storied of pirates who sailed under the black flag during "Golden Age of Piracy" (1650-1726).  While not much is known about his early life, there are a plethora of legends surrounding his career as a pirate.  It is speculated that Teach may have actually been born into a wealthy family before becoming a sailor, then privateer, and ultimately pirate.  Apparently, Teach got his start in the career of piracy under under another pirate, Benjamin Hornigold.  Teach was given command of his own ship by Hornigold, who was sort of a mentor to the young Edward.

Hornigold was given a King's pardon and left the pirate business, leaving Teach on his own.  It was in 1717 when he and his crew captured a French slave ship called La Concorde.  The ship was retrofitted for piracy and renamed the Queen Anne's Revenge.  The ship boasted 40 cannons, making it a force to be reckoned with and probably the most dangerous pirate ships of all time.  The Queen Anne's Revenge was to be Teach's flagship as he went about terrorizing Atlantic and Caribbean shores, commanding two other ships with a combined crew of about 150.


Not long after his appropriation of the Queen Anne's Revenge, Teach was first called Blackbeard thanks to his trademark thick, black facial hair which he grew long and braided.  Blackbeard had the reputation, as well as the image to match.  He was once described as "such a figure that imagination cannot form an idea of a fury from hell to look more frightful".  In the heat of battle Blackbeard could be seen robed completely in black, armed with an arsenal of pistols.  As if his imposing figure wasn't terrifying enough, Blackbeard famously lit slow-burning fuses in his beard which gave off a sputtering, hazy smoke.  Indeed, he must have looked like some kind of  awful hell-spawn as he boarded his victims' ship.  It's little wonder that many surrendered on sight.

Like many pirates, Blackbeard had a very short career which ended in an early death.  But Blackbeard didn't go down without a fight.  It was November 22, 1718 when the Royal Navy finally caught up with him.  With most of his crew on ashore, Blackbeard was left with a vary small fighting force, but chose to engage his enemies anyway.  After nearly escaping, the Royal Navy was finally able to board Blackbeard's ship.


A prolonged hand-to-hand battle began, during which the notorious pirate fought so fiercely that he managed to break the blade of the his opponent's sword.  Blackbeard was eventually isolated during the battle and surrounded.  He sustained five bullets and twenty cuts from the blades of his enemies before finally going down.  His head was cut off, reportedly to ensure once and for all that the notorious pirate was actually dead.  Blackbeard's head was hanged from a Royal Navy ship as grisly proof of his demise.  His body was thrown overboard when - according to legend - the head moaned, "Come on Edward!"  The decapitated body was said to have swam three laps around the ship before it sunk into the depths below.


But the story doesn't end here...  Blackbeard's head remained on his enemies' ship at least until January of 1719.  Eventually his decomposing head was stuck onto a pole by authorities in Hampton, Virginia as a warning to other pirates.  According to some, his head was at some point taken down and integrated into a punch bowl in the Raleigh Tavern of Williamsburg.  Other sources go on to say that the skull was later plated with silver and fashioned into a drinking cup where it apparently remained until 1903.  Some believe that it ended up in the possession of a secret society at Yale university.  In 1989 the skull was said to be found at Blackbeard's Castle.  

Locals of Ocracoke Island, North Carolina tell tales of a strange light known as "Teach's Light" that is said to appear around the shore of the island.  Another region called Teach's Hole is said to be the haunted by the glowing spectral manifestation of Blackbeard's body that comes out on moonless nights, floating on the surface of the water or stalking beneath, ever groping for its missing head.

Saturday, May 31, 2014

Cryptic Curiosities: Pepper's Ghost


During the Victorian Era, many were fascinated with afterlife, ghosts, and communicating with spirits.  Thus, spiritualism was a major near-religion for people during this time in history.  Psychic readings, séances, spirit photography, and other curiosities sought to appease the public's hunger for the supernatural.  Additionally, the "Ghost Show" was born.

The Ghost Show allowed audience members to witness the appearance of spirits in the comfort of the theater.  However, the conjuring of these ghosts was actually a clever illusion devised by the creator of the Ghost Show, John Henry Pepper. Unlike many "ghost-makers" during this time, Pepper never attempted to pass off his ghosts as anything more than illusion and did not seek to take advantage of his audience, but to entertain and even educate.


Pepper, a professor of chemistry, developed the illusion by taking advantage of successive reflections (the same kind of reflections you might notice in the glass as you ride in a car at night).  The trick worked in this way:  A projectionist below the stage shined an intense beam of light on an actor portraying a ghost.  A large sheet of glass tilted at a 45 degree angle toward the audience reflected the image of the actor below to give the audience the illusion of a semi-transparent "ghost" on stage.  Through careful coordination and stage direction, actors were able to interact with the fabricated phantoms.


A similar technique is occasionally used even to this day to create 3-dimensional holograms.